Adorno Reformation or Restoration reconsider* voice opera (comique, seria or Gran' ol')
feminist* time does not permit* Medial caesura (or lunch) fugue, passacaglia, or canon microfilm*
micro or macro anonymous FREE SQUARE prolon- gation, Urline, or 5-line audio problem
pastoral(e) Elvis ontology or meaning* torture or censorship McClary
embodiment* Dahlhaus motet Rousseau (more than 15 second passage in Latin or Greek)
palimpsest sketches* ethno- musicology previous scholars* opera (comique, seria or Gran' ol')
suspended genius other member of panel obviously bored, asleep, or not paying attention audience exchange
analysis ideology* FREE SQUARE (re)-anything metonymy
gender Beethoven borrowing Wissenschaft (has a powerpoint problem)
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey the Other provisional or work in progress ref to election (reads footnote including publisher info)

Musicology Buzzword Bingo, 2008 Edition

ethno- musicology body Mozart not unlikely or not impossible ♪♩♪ or other syncopated rhythm sung
jazz Dahlhaus mere anything palimpsest (reads footnote including publisher info)
♭6 analysis FREE SQUARE problematize string quartet
ontology or meaning* (makes quotation marks with hands) process ref to election (more than 15 second passage in Latin or Greek)
Reformation or Restoration (has a powerpoint problem) borrowing anonymous editorial*
Medial caesura (or lunch) borrowing isorhythm a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey microfilm*
not unlikely or not impossible mis-en-page feminist* modernity* (re)-anything
Reformation or Restoration context FREE SQUARE Beethoven Elvis
mode masterwork ideology* exchange (mis)-anything
mere anything ♪♩♪ or other syncopated rhythm sung analysis Harvard, Yale, or Princeton other member of panel obviously bored, asleep, or not paying attention
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC