reconsider* signify* patron or patronage* Wissenschaft Dahlhaus
opera (comique, seria or Gran' ol') Gesamt- kunstwerk (more than 20 second passage in a modern foreign language) problematize sketches*
(more than 15 second passage in Latin or Greek) pastoral(e) FREE SQUARE audio problem masterwork
analysis provisional or work in progress process masturbate* Reformation or Restoration
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey feminist* editorial* motet (louder, cooler paper with musical examples in next room plainly audible)
♪♩♪ or other syncopated rhythm sung (reads footnote including publisher info) Wagner blues process
liminal* body fugue, passacaglia, or canon (in my)* forthcoming film music
patron or patronage* string quartet FREE SQUARE Reformation or Restoration audio problem
(re)-anything Harvard, Yale, or Princeton ♭6 pastoral(e) masturbate*
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" (more than 20 second passage in a modern foreign language) mode prolon- gation, Urline, or 5-line anonymous

Musicology Buzzword Bingo, 2008 Edition

not unlikely or not impossible pastoral(e) hip-hop or rap mis-en-page ref to election
metonymy hermeneutics* Reformation or Restoration liminal* editorial*
audience body FREE SQUARE Beethoven suspension
(more than 20 second passage in a modern foreign language) borrowing process masterwork (has a powerpoint problem)
♪♩♪ or other syncopated rhythm sung ontology or meaning* ethno- musicology Medial caesura (or lunch) masturbate*
audience torture or censorship film music Mozart metonymy
genius Rousseau the Other analysis Wissenschaft
poetry microfilm* FREE SQUARE time does not permit* (has a powerpoint problem)
(reads footnote including publisher info) (re)-anything (more than 15 second passage in Latin or Greek) provisional or work in progress Beethoven
suspension micro or macro suspended palimpsest signify*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC