a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey Rousseau time does not permit* problematize ethno- musicology
mode jazz other member of panel obviously bored, asleep, or not paying attention name of any female composer (goes to piano)
motet watermark FREE SQUARE voice Medial caesura (or lunch)
mere anything not unlikely or not impossible ♪♩♪ or other syncopated rhythm sung feminist* exchange
isorhythm poetry Adorno process masterwork
time does not permit* mis-en-page ethno- musicology anonymous elsewhere I have*
patron or patronage* context mode the New Musicology name of any female composer
(goes to piano) blues FREE SQUARE (more than 15 second passage in Latin or Greek) audio problem
sketches* Reformation or Restoration Elvis ♭6 reconsider*
not unlikely or not impossible suspension (more than 20 second passage in a modern foreign language) Dahlhaus metonymy

Musicology Buzzword Bingo, 2008 Edition

anonymous pastoral(e) (more than 20 second passage in a modern foreign language) borrowing reconsider*
watermark context palimpsest micro or macro not unlikely or not impossible
(reads footnote including publisher info) isorhythm FREE SQUARE (makes quotation marks with hands) microfilm*
opera (comique, seria or Gran' ol') Wagner (goes to piano) hermeneutics* exchange
Wissenschaft (re)-anything Q: "I really loved your paper"* then trashes it Mozart ethno- musicology
jazz (re)-anything (in my)* forthcoming (makes quotation marks with hands) editorial*
ontology or meaning* Wissenschaft ideology* any PoMo term used ironically or made fun of name of any female composer
(goes to piano) not unlikely or not impossible FREE SQUARE a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey provisional or work in progress
problematize (has a powerpoint problem) opera (comique, seria or Gran' ol') (mis)-anything signify*
Beethoven motet body ref to election watermark
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC