metonymy (more than 15 second passage in Latin or Greek) ref to election poetry Harvard, Yale, or Princeton
audience genius ontology or meaning* Reformation or Restoration anonymous
(louder, cooler paper with musical examples in next room plainly audible) liminal* FREE SQUARE Adorno gender
micro or macro time does not permit* name of any female composer elsewhere I have* Mozart
(goes to piano) Beethoven other member of panel obviously bored, asleep, or not paying attention opera (comique, seria or Gran' ol') Gesamt- kunstwerk
Harvard, Yale, or Princeton provisional or work in progress masturbate* gender Reformation or Restoration
analysis torture or censorship liminal* motet (more than 15 second passage in Latin or Greek)
editorial* reconsider* FREE SQUARE process string quartet
fugue, passacaglia, or canon embodiment* isorhythm (re)-anything genius
exchange Dahlhaus (has a powerpoint problem) McClary feminist*

Musicology Buzzword Bingo, 2008 Edition

time does not permit* blues (goes to piano) editorial* microfilm*
modernity* mis-en-page context palimpsest isorhythm
ideology* exchange FREE SQUARE Elvis Adorno
(more than 15 second passage in Latin or Greek) any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" poetry the Other previous scholars*
(has a powerpoint problem) hip-hop or rap analysis micro or macro ref to election
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey reconsider* Wissenschaft micro or macro (more than 15 second passage in Latin or Greek)
blues ref to election ontology or meaning* borrowing context
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" Wagner FREE SQUARE not unlikely or not impossible modernity*
hip-hop or rap problematic mere anything mode analysis
exchange McClary (louder, cooler paper with musical examples in next room plainly audible) (re)-anything microfilm*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC