mode the Other feminist* time does not permit* (more than 20 second passage in a modern foreign language)
other member of panel obviously bored, asleep, or not paying attention process ref to election (makes quotation marks with hands) opera (comique, seria or Gran' ol')
hermeneutics* patron or patronage* FREE SQUARE prolon- gation, Urline, or 5-line microfilm*
Dahlhaus modernity* (reads footnote including publisher info) (louder, cooler paper with musical examples in next room plainly audible) McClary
ideology* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey context Elvis any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
Wagner masterwork suspension metonymy poetry
hip-hop or rap editorial* provisional or work in progress ideology* any PoMo term used ironically or made fun of
context mode FREE SQUARE liminal* feminist*
voice microfilm* Rousseau string quartet ethno- musicology
(more than 20 second passage in a modern foreign language) (makes quotation marks with hands) (in my)* forthcoming Mozart Dahlhaus

Musicology Buzzword Bingo, 2008 Edition

hermeneutics* hip-hop or rap signify* modernity* provisional or work in progress
Dahlhaus patron or patronage* ontology or meaning* motet (makes quotation marks with hands)
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" other member of panel obviously bored, asleep, or not paying attention FREE SQUARE torture or censorship previous scholars*
exchange feminist* (reads footnote including publisher info) genius jazz
Wissenschaft ♪♩♪ or other syncopated rhythm sung analysis elsewhere I have* suspension
any PoMo term used ironically or made fun of editorial* time does not permit* string quartet film music
(more than 20 second passage in a modern foreign language) McClary previous scholars* body liminal*
voice mere anything FREE SQUARE Mozart analysis
sketches* Beethoven any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" patron or patronage* ideology*
metonymy Adorno hip-hop or rap Q: "I really loved your paper"* then trashes it modernity*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC