prolon- gation, Urline, or 5-line Wagner (reads footnote including publisher info) (louder, cooler paper with musical examples in next room plainly audible) mis-en-page
name of any female composer (goes to piano) hermeneutics* provisional or work in progress palimpsest
Beethoven exchange FREE SQUARE masturbate* (mis)-anything
blues (makes quotation marks with hands) McClary mode (re)-anything
♭6 microfilm* ref to election opera (comique, seria or Gran' ol') Reformation or Restoration
modernity* ontology or meaning* provisional or work in progress ethno- musicology Mozart
context (has a powerpoint problem) Wissenschaft hip-hop or rap microfilm*
palimpsest ♭6 FREE SQUARE anonymous (louder, cooler paper with musical examples in next room plainly audible)
name of any female composer reconsider* ideology* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey voice
analysis not unlikely or not impossible hermeneutics* (goes to piano) sketches*

Musicology Buzzword Bingo, 2008 Edition

ideology* (louder, cooler paper with musical examples in next room plainly audible) any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" (reads footnote including publisher info) (mis)-anything
Wissenschaft palimpsest ♭6 modernity* blues
editorial* motet FREE SQUARE Adorno pastoral(e)
feminist* McClary film music Elvis Wagner
reconsider* Q: "I really loved your paper"* then trashes it provisional or work in progress string quartet Rousseau
problematic string quartet torture or censorship ref to election any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
elsewhere I have* ♭6 (in my)* forthcoming microfilm* (has a powerpoint problem)
sketches* Dahlhaus FREE SQUARE gender Medial caesura (or lunch)
the Other watermark reconsider* Adorno blues
patron or patronage* isorhythm not unlikely or not impossible (re)-anything Wagner
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC