(mis)-anything voice previous scholars* ontology or meaning* any PoMo term used ironically or made fun of
the New Musicology string quartet hermeneutics* torture or censorship Gesamt- kunstwerk
(more than 15 second passage in Latin or Greek) embodiment* FREE SQUARE suspended McClary
ref to election poetry elsewhere I have* feminist* Mozart
masturbate* Rousseau blues ♪♩♪ or other syncopated rhythm sung metonymy
analysis problematize sketches* fugue, passacaglia, or canon genius
torture or censorship liminal* ideology* palimpsest ♭6
exchange patron or patronage* FREE SQUARE any PoMo term used ironically or made fun of Reformation or Restoration
Harvard, Yale, or Princeton microfilm* ♪♩♪ or other syncopated rhythm sung feminist* (goes to piano)
previous scholars* provisional or work in progress McClary anonymous (in my)* forthcoming

Musicology Buzzword Bingo, 2008 Edition

previous scholars* hip-hop or rap mis-en-page Rousseau liminal*
mode motet (more than 15 second passage in Latin or Greek) embodiment* Harvard, Yale, or Princeton
♭6 other member of panel obviously bored, asleep, or not paying attention FREE SQUARE elsewhere I have* patron or patronage*
micro or macro prolon- gation, Urline, or 5-line a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey any PoMo term used ironically or made fun of mere anything
jazz ref to election suspension (has a powerpoint problem) blues
Adorno audience film music blues voice
borrowing ♭6 hermeneutics* prolon- gation, Urline, or 5-line microfilm*
editorial* suspension FREE SQUARE pastoral(e) opera (comique, seria or Gran' ol')
audio problem Harvard, Yale, or Princeton ref to election any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" suspended
other member of panel obviously bored, asleep, or not paying attention (in my)* forthcoming time does not permit* watermark mere anything
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC