reconsider* (more than 15 second passage in Latin or Greek) modernity* blues palimpsest
poetry Beethoven anonymous (in my)* forthcoming any PoMo term used ironically or made fun of
Q: "I really loved your paper"* then trashes it not unlikely or not impossible FREE SQUARE process problematize
name of any female composer masturbate* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey gender ideology*
micro or macro mis-en-page voice Elvis (mis)-anything
problematic (has a powerpoint problem) previous scholars* Rousseau Dahlhaus
liminal* audience micro or macro name of any female composer sketches*
reconsider* the New Musicology FREE SQUARE patron or patronage* blues
context other member of panel obviously bored, asleep, or not paying attention jazz not unlikely or not impossible ref to election
string quartet modernity* (reads footnote including publisher info) ideology* Elvis

Musicology Buzzword Bingo, 2008 Edition

Dahlhaus fugue, passacaglia, or canon body Rousseau mere anything
exchange Harvard, Yale, or Princeton any PoMo term used ironically or made fun of liminal* pastoral(e)
mis-en-page (in my)* forthcoming FREE SQUARE audio problem film music
♭6 Adorno voice reconsider* the New Musicology
hip-hop or rap ethno- musicology palimpsest prolon- gation, Urline, or 5-line borrowing
torture or censorship (makes quotation marks with hands) Harvard, Yale, or Princeton Wagner pastoral(e)
problematic a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey previous scholars* Q: "I really loved your paper"* then trashes it hermeneutics*
Wissenschaft isorhythm FREE SQUARE signify* motet
exchange Mozart suspended watermark Medial caesura (or lunch)
(in my)* forthcoming ontology or meaning* any PoMo term used ironically or made fun of elsewhere I have* modernity*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC